Showing posts with label Editors. Show all posts
Showing posts with label Editors. Show all posts

Wednesday, June 15, 2011

Guest Blogger - Harlequin Assistant Editor Shana Smith

Ok guys - SP here interrupting your normally scheduled Wednesday for a special guest. I've invited my editor Shana Smith with Harlequin Desire to the Playground to visit with everyone. She's got some great insider info, so everyone be on your best behavior (yes, you), don't embarass me and be sure to comment because there's two great books up for grabs!

Secrets Editors Want You to Know
7 tips for finding your “in” and making the most of it

by Shana Smith, Assistant Editor for Harlequin Desire & Romantic Suspense

1. Submit to the assistants. Editorial Assistants, and even Assistant Editors, are hungry. We’re looking to build an author list and raise our own profile within the company. We also have more time to devote to working with an author who may need some help to get a manuscript in selling condition. So instead of automatically sending your project to—or making a pitch appointment with—the Senior Editor, consider the assistant.

2. If an editor or publisher says they’re “actively seeking” a certain type of submission, you have a better chance of getting published with that line or imprint. Maybe it’s a new line, maybe the program just expanded, but they need books. If you have one, or can write to the guidelines, submit! Two Harlequin series that are actively acquiring right now are Love Inspired Historical (Christian historical romance) and Nocturne Cravings (paranormal erotica digital short stories). All writing guidelines for Harlequin (including Love Inspired and Kimani lines) can be found here: http://bit.ly/l6XSYX

3. Contests sponsored by a publisher can also be a good way to get your foot in the door. Harlequin contests/online writing events such as Mills & Boon’s New Voices and So You Think You Can Write have both resulted in manuscripts bought from new authors.

4. Read editors’ blogs, follow them on Twitter and attend their panels or workshops at conferences. These are all ways you can learn more about them and what they’re looking for and find someone you might connect with.

5. Send editors manuscripts that fit what they’re looking for. If they say they want historical manuscripts, don’t send them contemporary. If they say they don’t like paranormals, don’t send a story with a werewolf.

6. However, if you find an editor you really connect with, stick with her/him and keep submitting to that same editor. At Harlequin, editors can acquire across lines and imprints. So if you’ve sent manuscripts to, say, a Desire editor who liked your writing but for whatever reason the project didn’t work out, and you find your writing changing to better fit Love Inspired, ask the editor if she’d be willing to read the manuscript. It may be that her particular interests don’t extend to that line, and she may recommend another editor. But she also may be happy to read it. Give her the chance.

7. If an editor sends you a revision letter with suggestions for changes to your manuscript, it’s not a criticism of your work. We want to help you make your story stronger. And if we say we want to see the manuscript again or ask you to send us something else—we mean it! We have tons of manuscripts just waiting to be read, so if we’ve read something of yours and specifically ask you to send us more; you’re definitely on the right track.

Thanks for visiting the Playground, Shana!


Those are some great tips! I know I have personally benefitted from following a couple of these suggestions. Knowledge is power, people.


Shana will be popping in throughout the day to answer any questions. Comment today and you could win a copy of The Billionaire's Beside Manner by Robin Grady and Meddling with a Millionaire by Cat Schield.

Sunday, July 18, 2010

Conference Prep for Introverts



For those of you who haven’t guessed by now, I’m a confessed introvert, which means that crowds of people (especially strangers and unusual situations) drain the energy from me quicker than anything. Until the past 5 years, I would have described myself as a painfully shy person who had a great deal of difficulty talking to strangers and had uncomfortable physical reactions to speaking in front of others (shaking, flushing, nausea and nerves). RWA was the first organization I joined by myself, because I’m a twin, I often had my sister or husband with me in any new situation. Since I joined RWA solo, I had to put myself out there without the safety net of a “buddy”. :)

But I learned that practice makes putting myself out there a little bit easier. My local chapter has been a wonderful arena to gain experience as a speaker, in meeting new people and expanding my group of friends and acquaintances. There’s only one thing remaining that scares the bejeezus out of this introvert: National Conference! Two thousand editors, agents, authors, and RWA staff in one hotel with workshops, publishing house spotlights, pitch appointments, and—most stressful of all—social events like lunches and parties. It is one of the biggest learning and entertaining experiences a romance author can have. But the anticipation of all those opportunities to speak, be seen, have conversations, ask questions, meet people, and-did I mention-speak? The nervous anticipation can start getting to you before you even make it to Nationals.

I’m happy to say that, like my involvement in my local chapter of RWA, attending Nationals for several years has given me a chance to work out some of the nerves. I’ve learned a few tricks to help this introvert stay more calm and not so drained. I hope they can help you too!

Be Prepared!

This has been the biggest sanity saver for me. Before my first National Conference, my local chapter was generous with the information of what to expect and I took their advice to heart. Before I stepped out my door, I had thought through answers to some key questions that you hear all the time at Nationals. They show up during a lot of conversations and now I can answer them without having to obsess (before or after).

The questions that I’ve concocted short and sweet answers to are:


• What do you write? “Currently I’m working on a spicy romantic suspense with southern gothic influences. I’ve also written category length romance and short stories.”
• How did you start writing? “I’ve always made up stories in my head, but after my daughter was born a friend encouraged me to put them on paper. Once I started my first book, I was totally hooked!”
• Are you published? “I’ve published a bunch of short stories and articles, but I’m still working toward my goal of publishing a book.”
• Who are your favorite authors? Here I try to narrow it down to authors who have something in common with what I write, to give the listener an idea about my tastes. For instance, if you write paranormal vampires (and read them), you might mention Sherrilyn Kenyon (Dark Hunters) or Kerrelyn Sparks (humorous). If you write erotic, you might mention Beth Kery (light on the suspense angles) or Lora Leigh (heavier romantic suspense). Get the drift? Choose your favorite authors that reflect your writing interests, if possible.
• Have you seen (fill in the blank with local attraction)? Hopefully you can remember your traveling itinerary without preparing ahead of time, but keep this answer short. Mention your favorite thing so far, or if you are sightseeing after conference, the thing you are most looking forward to. Then let the other person interject their own thoughts on the subject.

***Because these are common questions at conference, you don’t have to wait to be asked them. Use them yourself to start up conversations when you find yourself meeting new people!

Schedule Rest and Time Alone!

Definition of an introvert: when being with other people drains you of energy, instead of energizing you. This means that spending all day mingling with others, talking after workshops, making small talk over lunch, or being brilliant in the elevator will make you very tired, very quickly. For me, the fatigue is more mental than physical, but it still forces me to collapse for several days after I get home. But I’ve come to recognize the fog that can suddenly make it hard to think and the overwhelming urge to just be alone, even if it is simply to lock myself in the bathroom for 5 minutes.

Some introverts can last longer than others. For instance, you may be able to interact with people all day, but need definite down time scheduled for each night. Others might need some alone time around mid-afternoon siesta, then be able to tackle the rest of the day. Whatever it is you need, acknowledge and plan for it! My plan usually includes taking my time in the shower each morning, even if it means getting up 5 minutes early. In a room with 4 people (even if they are my best friends), there is no solitude, except in the shower. ;) So I indulge a few extra minutes in the morning to start my day off with a good mental attitude. Also, I’ll occasionally come back to the room some time after lunch. Usually anyone in the room at that time is asleep anyway, so I can simply lay on the top of the covers with my eyes closed for 10 minutes for a touch of rejuvenation.

Other strategies might include planning a dinner that you can take back to your room one night for some peace away from the crowds, going out for a little solitary sight-seeing or browsing the bookstore by yourself. If you do little things like this for yourself throughout the day, your psyche won’t feel like it has to crash and burn by Saturday night. We want to see you all dressed up and happy at the Awards Ceremony, not stressed and frowning!

As for sleep, well, you can be guaranteed not to get the amount you usually do at home. Even if we make it to bed at a decent hour, my roommates and I often discuss the day’s events for a while before drifting off. At home, I’m an 8 hour a night girl. At conference… let’s just say I sleep a lot when I get home! That being said, it is a good thing to know your limits. If you absolutely cannot function without at least 5 hours (usually the minimum I need to be coherent), then getting only 3 the night before your editor’s appointment is a sincerely bad move. So be aware of your limits and work within them.

Remember: Editors are People Too!


A worrisome thought that gets planted into an introvert’s head can be: “What if I do something stupid in front of (insert here: editor, agent, publisher, best selling author, etc.)?” One of the big warnings that floats around the blogosphere and RWA chapters is to remember that people are watching and listening. And yes, there are plenty of publishing professionals at these events that I wouldn’t want to insult in some way with my behavior. Unfortunately, that puts a great deal of pressure on an introvert to be “on” all the time, draining their energy that much faster.

Here are a few things to help ease your stress in this instance: 1. Remember, these warnings are there to prevent UNPROFESSIONAL behavior, like complaining about an editor in the bathroom where anyone can here. There’s a big difference between that and tripping over your feet in the lobby of the hotel (been there, done that). The latter doesn’t mean someone will bar you from publishing for life. A simple use of common courtesy is all that is expected.

2. Remember, editors (and agents, publishers, etc.) are people too. They don’t need you to be cold and stiff with them. They simply want you to talk to them as if they were people (not your only hope of ever getting a book contract—there’s nothing like desperation to run off an editor!). Speak to them as you would any other acquaintance you meet. Often, publishing professionals won’t wear their nametags if they aren’t at an actual event, so saying hi or asking the stranger sitting next to you in the bar about their favorite area attractions is always a polite move. Ask them if they are there for the RWA conference and if so, what they write. If they don’t write, they’ll say so. Let them volunteer the information they want and don’t push to “pitch” unless they specifically say, “Tell me about your book.”

When the Nerves Start to Flutter…


But sometimes, despite everything you’ve tried, the nerves will strike out of nowhere! This always happens to me before my editor and agent appointments. Just thinking about those 10 minutes makes my stomach contract and flutter like butterflies have taken up residence. What’s an introvert to do then?

Well, the first thing I do is breathe. And I don’t mean this flippantly. Have you ever noticed that it is hard for your stomach to tighten if you are taking a truly deep breath? It may take several, but breathing is my first line of defense in these situations (and has the added benefit of helping you think more clearly).

Speaking of thoughts, that’s the next line of fire. If you are having specific worries, address each one. “What if I say something stupid? Well, if I stumble over my pitch, I can just stop, take a breath, give a little smile, and say something like, ‘Sorry, I’m a little nervous’.” “What if she hates it? Well, the worst she can do is say no, and then I’ve learned she isn’t the editor/agent for me.” See what I’m doing here. Don’t let your worries and fears spin out of control. Combat them with the truth of the matter. Then calm yourself down with a simple “This will be over in 10 minutes. I can survive anything for that long, right? :)”

So there you have it. These strategies have made National Conference (or any big event with lots of strangers) much more manageable despite my introvert personality, although I do spend some time after events wondering, “How I could possibly have said that!?!?” But I get over it and try to move on quickly… oh, another strategy slipping in there!

So tell us, what are your strategies for big crowds and situations where you might be uncomfortable? If you are lucky enough to be an extrovert, we’d love any advice you could offer too!


Angel

**For more professionally based information, check out the Clinic on the Playground and Counselor Shelley's advice for Introverts.

Tuesday, June 09, 2009

Being the Author, part 2

You know, there are certain phrases you practice in front of your mirror, so that when the time comes to use them, you’ll be ready to say them with style, panache, and just the right amount of calm collectedness. Like:
“I’m ready for my close-up, Mr. DeMille”

“I’d like to thank the Academy…”

“My fellow Americans…”

“I, Kimberly, take you, Jon Bon Jovi…”

And

“I’m off to London to have lunch with my editor.”

Well, I still haven’t had the chance to use any of the first four, but practicing that last one really came in handy recently. Because I did go to London and have lunch with my editor. Squee!

Okay, so I got on the wrong train (totally not my fault and I wasn’t the only one on the wrong train. It had been announced incorrectly), and then I got a little bit lost in Richmond and went the long way around to the Mills and Boon office, but those mishaps aside didn’t take the glam out of the event. Other than showing up at the office a little sweaty from my trek.

Sadly, I have no pictures (sorry, Angel, but you weren’t there to remind me).

I presented myself to the receptionist and told her who I was. She had to call up for someone to come get me. (Boy, security is tight. I was wondering if aspiring authors wander in off the streets occasionally trying to find an editor.) There’s a M&B rack in the lobby, so I perused the books while I waited. Happy of happiness, I found one of my books on the rack! I’m on a lobby display rack! How cool!

Then Lucy (Gilmour – my lovely editor) and Bryony (Green – Senior Ed of Modern Heat) came down to get me from the lobby and took me upstairs into the M&B sanctum. Just the thought of all the creative energy and book-making gave me the shivers. Alas, it looked a bit like any other office (I’m not sure what I was expecting). But then, editors came out of their cubicles to say hello: Tessa Shapcott (head of the Modern/Presents line), Jenny Hutton, Sally Williamson (Lynn Raye Harris’s editor), Joanne Grant, Kimberley Young (who let me interview her for the Playground a couple of years ago) – if anyone from the M&B office is reading this and I’ve left you off the list, my apologies. A newbie author can only absorb so much fabulous editorial at one time. Talk about feeling special – after so many years of stalking editors at conferences, having so many actually want to say hello is just surreal.

Then it was off to lunch. Lucy and Bryony led me to a wonderfully hidden-down-a-back-street French restaurant where we sat in a walled-in courtyard. A bottle of wine, a menu of things I didn’t quite recognize, everyone around me with either a British or French accent – I felt like the punch line to every Alabama Redneck joke ever invented.

And then I began to babble. Hmm, seems I should have spent less time practicing accepting my Oscar and more working on making small talk with my editors. I don’t know why I was nervous. Bryony and Lucy are both wonderfully friendly people, and I know this wasn’t a job interview, but still… Babble city. Ugh. Did I mention the Alabama Redneck part?

But all good news from my editors. My books seem to be doing all right. They seem happy with what I’m writing and want me to write more books. Lucy has confidence I’ll be able to get the revisions on the current book done (glad one of us does!). And I was told that I could come back for lunch again when I bring AC over to see her grandparents next year. (Annual lunch with my editor in London? Really? Man, I love this job!)

Then I was back on the train headed back to central London with a couple of M&B books in my bag for the ride home. (Okay, so I asked for books. Tacky, but I’d read my entire magazine on the wrong train earlier.)

Back in London, I met up with the fabu Heidi Rice, fellow Modern Heat author, who continued my day of author glamor by taking me to the National Gallery CafĂ© for drinks. Drinks overlooking Trafalgar Square while talking about editors and books and royalty statements made me feel very Author-like indeed. I didn’t miss the surreptitious glances of “Are they famous people?” from the folks at the next table as we tossed around publishing terms. Good for the ego -- if not great for my liver or waistline.

The most horrible train ride ever followed as I made my way back to where I was staying with some friends. However, in the midst of my misery (and trust me, crowded commuter trains out of London when there’s been an accident on the tracks and mucked up the entire schedule is misery indeed), I came up with an idea for book number five. Yep, I felt like an author.

Now I’m home in Alabama and there’s absolutely no glamor to be found as I dig through the post-vacation mess of laundry/mail/empty fridge – oh, and let’s not forget the optimistic deadline I gave Lucy about my revisions looming on the horizon.

But I had lunch with my editor in London. Squee!